blacksundae

Oceansize is a really impressive short monster movie created by four French animation students. Here’s a direct link with more information, and here’s a version with English subtitles (although you don’t really need it). [via io9]

A wonderful homage to my favorite movie, John Carpenter’s The Thing. Via MeFi

My girlfriend Brooke’s 9-year-old recently got into Doctor Who, and he built this wonderful likeness of a Dalek out of Legos. Pretty neat!

UPDATE: Since this post, Rowan has done more Doctor Who/Lego stuff. Check it out here.

Forrest J. Ackerman, November 24, 1916 - December 4, 2008

Interactive Video Object Manipulation from Dan Goldman on Vimeo.

“Existing approaches to interaction with digital video are complex, and some operations lack the immediacy of interactive feedback. Our research in video annotation, visualization, and interaction harnesses computer vision to aid users in understanding and communicating with digital video. We are developing new approaches for computing the motion of points and objects in a video clip, and interactive systems that utilize this data to visually annotate independently moving objects in the video. We have applied this interface to construct visualizations of a short video clip in a single static image, using the visual language of storyboards. The principal advantage of the storyboard representation over standard representations of video is that it requires only a moment to observe and comprehend but at the same time retains much of the detail of the source video. The layout of the storyboard can be optimized to place the elements in a configuration that maximizes the clarity of presentation. We also explore novel interaction techniques for random video frame access using the natural spatial dimensions of a storyboard representation or an individual video frame.”

Read on.

or, Journey to the Center of Eden

JESUS CHRIST, IT’S A JESUS LIZARD! GET IN THE CAR!

According to Walden Media’s Wikipedia entry, they deny that they are an overtly Christian production company. They have had to make this denial as they are owned by Philip Anschutz (noted conservative Christian and funder of the Discovery Institute), not to mention they produced the film adaptation of your favorite Feline Christ narrative and mine, The Chronicles of Narnia.

I’m actually inclined to go along with them. As I look at their filmography, it’s all family oriented stuff, but very few of their films have overtly Christian themes. Some of their output has been absolutely atrocious, but only Narnia is clearly Christian propaganda.

At least I thought so. That brings us to Eric Brevig’s 3-D Brendan Frasier vehicle, Journey to the Center of the Earth. Wait a minute, I can hear you asking, How can an adaptation of a Jules Verne novel be seen as Christian propaganda? Well, that’s the thing: it’s not an adaptation.

The premise of this theme park ride film is that Verne’s account in Journey to the Center of the Earth is literally true. Frasier’s older brother was a geologist with some kookie ideas about lava tubes thousands of miles deep, who went off to Iceland to investigate his theories and vanished. Ten years later, Frasier comes across an old, dog-eared copy of his brother’s favorite book (guess) that’s cryptically annotated¹ in ways that suggest what he was up to.

Frasier, being the sort of grossly irresponsible adult that keeps these types of movies clipping along, scoots off to Iceland with his annoyingly-surly-cum-annoyingly-eager teenage nephew (the lava-tube-kook’s son, of course). Yadda, yadda, yadda… Strained comedy happens. Et cetera, et cetera, et cetera.

In short time, they find out from the leggy, blonde, Icelandic love interest that their brother/father was a “Vernian:” someone who believes that Jules Verne’s account of the lost world at the center of the Earth is literally true. Whether Vernians extend this to his other works is never addressed, although I’m rooting for Mysterious Island.

Through a series of unlikely events (lightning, mine cars), Frasier, the kid & the hottie end up falling down a lava tube and landing in Verne’s weird subterranean world. “He was right!” Frasier says of his dearly departed brother, “People ridiculed him for what he believed but he was right!”

This is the point in this post when I get a bit nervous, wondering if I’m reading way too much into what is otherwise simple escapist fare. “Overthinking a plate of beans,” as they say at MetaFilter. OK… is this aspect of the story speaking directly to the Creationists in the audience?

This guy takes a clearly fictional and ridiculous story and interprets it as true, all evidence to the contrary, and is ridiculed by the scientific establishment. But, get this: it turns out he was right!

I could have left this alone as a plot device, but that line of dialogue quoted above just won’t let me. In context, it seems shoehorned in, and it seems specially designed to cater to the persecution complex that most conservative Christians share these days. Especially Creationists.

Once that one line planted the seed in my mind, something else started bothering me. Despite the movie’s assertion that Verne’s novel is complete non-fiction, the reality of the underground world differs from the novel in a key way. From Wikipedia:

The living organisms they meet reflects the geological time; just as the rock layers become older and older the deeper one gets, the animals get more and more ancient the closer the characters come to the center. From a scientific point of view, this story has not aged quite as well as other Verne stories, since most of his ideas about what the interior of the Earth contains have since been proven wrong. However, a redeeming point to the story is Verne’s own belief, told within the novel from the viewpoint of a character, that the inside of the Earth does indeed differ from that which the characters encounter. One of Verne’s main ideas with his stories was also to educate the readers, and by placing the different extinct creatures the characters meet in their correct geological era, he is able to show how the world looked like millions of years ago, stretching from the ice age to the dinosaurs.

This is an element of the story that is completely thrown out the window, in favor of a smattering of “prehistoric” creatures that pop in here and there, such as bioluminescent birds, predatory plants, and a giant carnosaur that appears to be twice as large as the biggest T. rex.² I find it surprising that this blatantly educational aspect of the story was thrown out, considering Walden’s emphasis on education. Wikipedia again, because I’m feeling lazy:

Walden Media is unique among film production companies in that it works with teachers, museums, and national organizations to develop supplemental educational programs and materials associated with its films and the original events and/or novels that inspire the films.

But you eliminate this one element, you also eliminate two Creationist pet peeves: discussion of an ancient earth and a narrative that also functions as metaphor. There’s no room for metaphor in this literal view of Verne.

Again, I realize that I may be reading way to much into this, but keep in mind that it kept me entertained when the movie did not. I had absolutely nothing else to think about! The movie is a chore to watch, in a way that has nothing to do with religion or politics. The writing is flat when it’s not sappy, the action scenes are dull and few in number³ and, as an advocate of digital filmmaking, I’m going to pretend this movie was never made. By that, I mean it displays all the staginess of a movie that was shot in a small green screen studio by someone who doesn’t know how to make that not matter. The characters always seem confined to small areas as their epic surroundings swirl around them. I didn’t see this in 3-D, mind you, but I doubt it would have helped too much. Poor Frasier… I usually enjoy him!

¹ Why bother with encoding your notes if you’re going to half-ass it? Frasier and the kid crack it during a plane ride.

² Seeing as how we never see any prey animals of any size, I have to wonder how this environment supports an alpha predator this big. /DORK

³ “The food here is terrible!” “I know! And such small portions!”

Associated Press:

Canadian director David Cronenberg is swapping his camera for a pen.

The moviemaker, who was attending the Rome Film Festival on Thursday, said he has written 60 pages of a novel, but besides ruling out that it would be a horror or science fiction, offered few details on the project.

I love Cronenberg’s work and can’t wait to read this. Actually, I find it interesting that Cronenberg has waited this long to do this. His two major, avowed influences have been Nabokov and Philip K. Dick (No wonder I love his cinema.) and has said he’s been more influenced by them and other novelists than any filmmaker.

Link! Via CHUD

Don’t think I’ve posted this before, and if I did who cares? It’s awesome, and I just rediscovered it. Now that I’ve been taking care of a cat for a while (Please don’t leave me, Kitters!) it seems even more realistic. Especially the batting at the face.

“When you have Optimus Prime AND Master Chief cheering from the Superdome, is there really any doubt which team is superior?” - io9

Explores concepts of monstrosity in Western civilization from Beowulf to Jurassic Park.

We live in a time of monsters. Monsters provide a key to understanding the culture that spawned them. So argue the essays in this wide-ranging and fascinating collection that asks the question, What happens when critical theorists take the study of monsters seriously as a means of examining our culture?

In viewing the monstrous body as a metaphor for the cultural body, the contributors to Monster Theory consider beasts, demons, freaks, and fiends as symbolic expressions of cultural unease that pervade a society and shape its collective behavior. Through a historical sampling of monsters, these essays argue that our fascination for the monstrous testifies to our continued desire to explore difference and prohibition.

This book sounds fascinating. An interview with the editor.